Philly Spring ‘25

Suzanne Clements is a commercial food photographer and director represented by Erica Chadwick at Etc. Creative, Inc. She was hired by Kraft Heinz to produce the Philadelphia Cream Cheese Spring 2025 campaign. This high-efficiency production solved for a five-photo budget by engineering compositions to deliver 12 multi-format assets, while ensuring 100% packaging color accuracy in-camera.

PHILADELPHIA CREAM CHEESE

Production Strategy

Everyone wants more from their shoots, but this was the first time we had a pretty specific definition of what more actually was. Each photo needed to function as 2 or more to hit all the campaign layouts.

Commercial food photographer Suzanne Clements illustrates how she expanded each photo in the shot list to multiple photos supporting the campaign layout needs without adding budget. Represented in Chicago, works in New York City, Los Angeles, Florida

Expanding the shot list 

without touching the budget

pre-vis for the Win

Overlaying each campaign asset proportion in her illustrations, Suzanne mapped out five photos that would require no changes and accommodate the logo and lock-ups for the various crops.

These sketches weren’t just technical, the compositions were crafted to guide the viewer's eye through harmonious color pops and dynamic arrangements honoring the creative brief, drawing the viewer’s eye to that first bite of the hero recipe and then naturally on the product pack and messaging, reinforcing both the flavor and the brand behind it.

This approach combines Suzanne’s graphic design spatial instincts with her compositional craft and her illustration drafting skill, ensuring every creative decision serves the brand story..


THE SHOT LIST SKETCHES


Bonus

PERFECT COLOR EVERY TIME

Clients that want that vibrant colored set also want their product and packaging colors to look 100% accurate every time, no fail. These two elements don’t occur in the natural world. If you place an object onto a colored surface and add light, that colored surface will absolutely reflect color onto anything around it, including your beautifully designed packaging and product.

This creates post-production intensive editing headaches.

Crafting images on gray

The most effective solve is to swap out those colors for gray, but it requires trust from your agency and client teammates. Instead of walking into that vibrant set of their dreams, they’ll encounter gray surfaces and they’ll need to use their imagination.

It's a tough sell with big rewards.

On shoot day our set featured warm sunlight, a gray patio table accented in Philadelphia Cream Cheese's trademark blue, and enough pink, yellow, and green to make winter a distant memory.

During our shoot, low-res quick proofs went to the designer in real time. The agency designer quickly snapped that gray patio table to the perfect Philly blue and it was like when the Wizard of Oz goes from black and white to full technicolor.

The agency left with a hard drive and absolute confidence in the creative process

"Best shoot ever."

~

client team

"Best shoot ever." ~ client team

Animated GIF demonstrating the appearance of a gray set and then the post production when the color is added

THE DELIVERABLES

Three camera angles across our five photos covered all campaign needs. Minimal camera angle changes made for efficient alt shot captures for clear sets and shadows, and a selection of pack and prop solos to support any post-production should there be any layout changes.

This was a single-day commercial food photography production engineered to serve every placement on the brief, from digital banners to social stories, without a single frame wasted.


RECOGNITION

Commercial food photography at this scale doesn't run on luck. Executive Producer Philip Pavliger coordinated logistics, scheduling, and crew, giving Suzanne the space to focus entirely on the creative. Represented by Erica Chadwick at Etc. Creative, Inc., Suzanne brings a full production infrastructure to every shoot, so clients get a seamless experience from brief to delivery.

Photographer: Suzanne Clements

Agent: Erica Chadwick, Etc. Creative, Inc.

Executive Producer: Philip Pavliger

1st Assistant: Naomi Chu Arguinzoni

Digitech: Timothy Blokel

Production Assistant: Kelsey Oenick

Food Stylist: Christina Zerkis

Food Stylist Assistant: Nina B.

Props: Kate Loskalzo

Camera/Lighting: ProGear

Studio: SEEYOUSOON

TALENT

Dominique Perry